Joe’s NY Times Magazine cover shot showed me standing on sea ice just north of the island in early July 2001.
On his return visit this past July, Joe had me stand at the same spot but rather than being on sea ice extending to the horizon, I was standing in sea water. Joe’s video, which includes some excellent drone footage, and his presentation will explain why he felt it was important to return to Cooper Island to document the rapid changes occurring in the Arctic.
The evening will include a display of field paintings by expeditionary artist Maria Coryell-Martin. Maria visited Cooper Island this past summer with science educator Katie Morrison as part of an interdisciplinary project on climate change.
We always enjoy the conversations and discussion at our annual event and the chance to share information and stories about the previous summer’s field season. Talking about climate change – and donor-supported climate change research – has never been more important. We hope to see you there.
My three months on Cooper Island every summer for the past 45 years is characterized by long periods (up to 6 weeks) of being alone and with little dependence on the technological gadgets and infrastructure that dominate the lives of those living on the grid in the early 21st Century. The isolation and simplicity of my field camp are welcome perks of my study of an Arctic bird.
My experience this past week could not have been any more dissimilar to my field seasons as I attended the Consumer Electronics Show (CES) in Las Vegas. As if Vegas itself wasn’t enough to cause a cultural whiplash, the CES is the nation’s biggest convention, with over 170 thousand attendees. During an average summer on Cooper I might see 20 people over a 90-day period.
The response from those attending the CES session was especially gratifying – both for the appreciation of my research and outreach efforts, and the clear concern expressed about the ongoing climate crisis.
I have been very fortunate in having my research on the Black Guillemots of Cooper Island attract the attention of those wanting to inform the public about global warming – from the Late Show with David Letterman, to the NY Times Magazine, to the UK’s Royal National Theatre. The experience in Las Vegas was certainly unique and I thank Joe and Nikon for helping me make sure – What happens on Cooper Island doesn’t stay on Cooper Island.
This past summer the Cooper Island field camp was thankful to have a return visit from photographer Joe McNally. Joe has been taking photos longer than I have been studying Cooper Island Black Guillemots and his website shows both the quality and scope of his work. His visit in 2001 took place before we had a cabin and was for the purpose of obtaining photos for a New York Times Magazine story being written by Darcy Frey, who had visited the island earlier that year. Joe and I had a great time during his week on the island and have stayed in touch ever since.
In January 2002 I opened the Sunday NY Times to find the magazine cover was a photo Joe had taken of me standing just off Cooper Island’s North Beach in early July. Joe’s cover photo and Frey’s 12-thousand word story gave national prominence to what had been an obscure 27- year study of an Arctic seabird. More importantly, a national story about climate change was a rarity in 2002 and I have been told by many people that the article and Joe’s photo was what first made them aware of the realities of global warming.
Whenever Joe and I have chatted since his first visit, I have mentioned that should he return to Cooper Island, he would not find the island surrounded by ice as he did in 2001. During the almost two decades since his visit the pace of Arctic climate change has greatly increased as the region continues to warm. The loss of sea ice has resulted in the high mortality of Black Guillemot nestlings, as parents are unable to find their preferred ice-associated prey, and regular visits by polar bears, stranded on land as their sea ice habitat melts.
I have always hoped Joe might return to Cooper Island but told him that if he were to return and try to retake the cover photo I would now be standing in water and not on sea ice. Given Joe’s work schedule and international prominence I never thought he would be able to work in a return visit, but with the help of Nikon he arrived by boat in early July last summer bringing a film crew to document his attempt to retake the 2001 image of me standing on the ice.
The 2001 and 2019 images tell the story of Arctic climate change as much as my 45-year database on an Arctic seabird. Joe and his crew made a video documenting his recent visit and our efforts to get the 2019 image. The video has some great aerial shots of the island and also documents why Joe is such a great photographer. He is able to ignore the frigid waters sloshing into his boots while taking the shot of me standing in the ocean wearing hip-boots.
Can’t thank Joe enough for his continuing friendship and interest in my work. 18 years after his first visit he is still helping me tell the story of the Cooper Island Black Guillemots and the increasingly warmer Arctic.